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Block Printing - Linocut
Proportions of the Face
Watercolor
Acrylic Painting
Oil Painting
Tricks of the Old Masters
Watercolor
Drawing
Abstract
Drawing with Pastels
Acrylic Painting
Perspective
Pleine Aire
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FINE ART

ACRYLIC PAINTING

Nancy Isbell

Join veteran painter Nancy Isbell in this beginning painting workshop and learn strategies and techniques for working in acrylic paints on canvas. Plan a painting, work from reference material and start, maybe finish a painting. With demos and time for hands-on experimentation, Nancy will simplify the process into manageable and understandable steps using the paint in layers and working with glazes, brushwork and color. Materials list provided upon registration.

$74 member / $86 non-member

Wednesday, September 8 10am – 4pm

Thursdays, October 7 & 14 9am – 12pm

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PRINTMAKING 101

Robin Roberts

Explore relief printing made from 'drawing' onto Print Foam and also texture printing using a variety of found objects and materials. The foam sheet allows for a great ease and fluidity of line, while working quickly and freely. Multiple prints will be pulled and printed on various papers including traditional white as well as maps and text from old books. These prints can make great greeting cards or small works of art.

$38 member / $44 non-member Materials fee $7

Tuesday, September 21 6 – 9pm

Saturday, October 2 9am – 12pm

Tuesday, November 9 6 – 9pm

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LOW TECH MONOPRINT

Lisa Bebi

Monoprints are created by painting spontaneously on a slick surface like glass, then transferring the wet image to paper by pressing the paper onto the glass. Use acrylic paints with slo-dri suspender, watercolor grade paper and our hands as the press. The "pulled" monotype art can be seen as the finished piece or the basis for a new work by embellishing with more paint, crayons, charcoal, watercolor, stamps, stencils, graphite and other cool tools to turn it into an even more unique, fun and compelling artwork. Explore many different ways to create art on the plate before it is printed onto the paper.

$50 member / $58 non-member Materials fee $10

Wednesday, September 29 10am – 2pm

Monday, October 25 10am – 2pm

Thursday, November 4 10am – 2pm

Register Now

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ENCAUSTIC 101

Lisa Bebi

Encaustic medium and melted beeswax is a very interesting and enchanting way to create simple yet beautiful art. Sometimes even the slightest drawing or art image under layers of refined beeswax will yield wondrous and compelling finished work. This is in introduction to painting with molten wax. Learn basic skills in using encaustic medium, fusing, use of pigmented wax, incising and polishing. Materials fee provides 2 wood panels, pigmented wax and transparent encaustic medium as well as use of tools and oil sticks.

$50 member / $58 non-member Materials fee $32

Wednesday, October 6 10am – 2pm

Monday, November 8 10am – 2pm

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BASIC SKILLS 6 WEEKS

Anna Stump

This mini course covers topics fundamental to drawing:

Using Sighting and Negative Space to get Proportions Right, Proportions of the Face, One-Point Perspective, Drawing Cylindrical Shapes, Two-Point Perspective, Color Theory for Painters. Through lectures, demonstrations, and guided exercises, Anna helps you begin to master these basic skills that will lead to greater fluidity in your art making. And have fun, too! You will be contacted about what materials to bring to each class. You may attend individual workshops or, for a complete experience of basic skills, register for the full six-week series. Class will not meet on November 24.

$198 member / $232 non-member

Wednesdays, Sept 15 - Oct 20 6 – 9pm

Wednesdays, Oct 27 – Dec 8 6 – 9pm

Register Now

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BASIC SKILLS: USE SIGHTING AND NEGATIVE SPACE TO GET PROPORTIONS RIGHT

Anna Stump

Sighting is the age-old technique of comparing what you are looking at to basic proportions and angles. Drawing what you see becomes a series of measurements. Using negative space is measuring the space around an object to be able to draw the object clearly. Through lectures, demonstrations and guided exercises, Anna helps you practice these basic skills to improve your overall drawing ability. Please bring sketchbook, drawing pencils, erasers, black India ink, black ink pen, and small brushes.

$38 member / $44 non-member

Wednesday, September 15 6 – 9pm

Wednesday, October 27 6 – 9pm

Register Now

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BASIC SKILLS: PROPORTIONS OF THE FACE

Anna Stump

Learn to draw the human face in frontal, 3/4, and profile views using a series of fractions and proportional measurements. Through lectures, demonstrations and guided exercises, Anna helps you draw the typical human face, and then practice making portraits in class. Please bring sketchbook, drawing pencils, and erasers.

$38 member / $44 non-member

Wednesday, September 22 6 – 9pm

Wednesday, November 3 6 – 9pm

Register Now

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BASIC SKILLS: ONE - POINT PERSPECTIVE

Anna Stump

Linear perspective is one of the most daunting areas of study in 2-D art, but Anna makes it clear in this course. Learn about horizon line, vanishing point, direction lines, even how to make objects fly! Use of one-point perspective is essential in drawing furniture and architecture, even still lifes. Please bring a sketchbook, 18" ruler, drawing pencils, a few colored pencils and erasers.

$38 member / $44 non-member

Wednesday, September 29 6 – 9pm

Wednesday, November 10 6 – 9pm

Register Now

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BASIC SKILLS: DRAWING CYLINDRICAL SHAPES

Anna Stump

Do your bowls look wobbly, your vases tippy? We use cylindrical shapes often in still lifes and interior scenes. Anna explains the rules of how to structure your cups, plates and round tables. Practice getting the contours correct, then how to create shading, including cast shadows, in this fun workshop. Please bring sketchbook, drawing pencils, vine charcoal, and erasers.

$38 member / $44 non-member

Wednesday, October 6 6 – 9pm

Wednesday, November 17 6 – 9pm

Register Now

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BASIC SKILLS: TWO - POINT PERSPECTIVE

Anna Stump

Linear perspective is one of the most daunting areas of study in 2-D art, but Anna makes it clear in this course. Learn about horizon line, two vanishing points, direction lines, even how to make objects fly! Use of two-point perspective is essential in drawing furniture and architecture, even still lifes. It is recommended that you study one-point perspective before taking this workshop. Please bring a sketchbook, 18" ruler, drawing pencils, a few colored pencils, and erasers.

$38 member / $44 non-member

Wednesday, October 13 6 – 9pm

Wednesday, December 1 6 – 9pm

Register Now

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BASIC SKILLS: COLOR THEORY FOR PAINTERS

Anna Stump

Before you start to paint, learn how color works by mixing swatches. Paint a grayscale gradient, color wheel, mix complimentary colors, and create a chart of tints and shades.

Please bring watercolor paper or bristol pad, brushes, gouache, acrylics or oil paint. If using oils, please bring linseed oil and turpenoid, gessoed paper or canvas boards. Colors needed: white, black, magenta, yellow, and cyan (or bring what you have).

$38 member / $44 non-member

Wednesday, October 20 6 – 9pm

Wednesday, December 8 6 – 9pm

Register Now

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FOUNDATIONS OF DRAWING

Duke Windsor

Drawing is the preliminary tool used by artists of all media, from digital or video artists and from photographers to painters, sketching is a unique form of graphic expression. This is an introduction or a refresher for the basics of art, craft, design and the practice of drawing. Work from still life, reference photos and objects posed within spatial environments. Learn the practice of doodling, choosing simple drawing tools, the purpose of the sketch book, and the understanding of basic perspective. Acquire the ability to create recognizable finished drawings. Beginning or experienced students will benefit from this workshop.

  $74 member / $86 non-member Materials fee  $5

Mondays, Sept 13 & 20                  6 – 9pm

Wednesday, Oct 13                       10am – 4pm

Mondays, Nov 8 & 15                     6 – 9pm

Register Now

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SPEAKING WATERCOLOR

Sharon Hinckley

What is the “language” of Watercolor? How do you make clear beautiful washes instead of murky, muddy ones? Which colors are better suited to Watercolor than oil or acrylic? In fact, how do you make the pigments sing? Timing, timing, timing - when to paint and when to STOP. Whether you are a brand new student, returning to Watercolor, or switching from another medium, this workshop will help you identify areas of strength and give you fresh approaches to areas that may be overlooked or unfamiliar. In this 2-day workshop, focus primarily on color, color, color as well as design and composition. Topics will include but not be limited to: pigment selection, palette arrangement, choice of subject matter and basic arrangement. Materials list provided upon registration.

$74 member / $86 non-member

Thursdays, October 7 & 14 1 – 4pm

Tuesdays, December 7 & 14 6 – 9pm

Register Now

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INTUITIVE ABSTRACT PAINTING

Duke Windsor

Learn to literally “let go” and be free of convention to begin painting from within. Utilizing your intuitive powers, get past your fears and find the freedom to allow your inner self to create what comes naturally. Beginners as well as experienced students will explore the “process” painting, “action” painting, “drip” application and the “color field” painting inspired by the abstract artists of the 50’s. Use materials such as charcoal, inks, acrylic paints, various

mediums and unusual items to create your own abstract paintings.

  $74 member / $86 non-member Materials Fee  $15

Saturday, September 18                          9am – 3pm

Sunday, October 10                               10am – 4pm

Sunday, November 21                           10am – 4pm

Register Now

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Bravo School of Art • 2690 Historic Decatur Rd Studio 206 San Diego CA 92106 • 619-223-0058

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